Códice de Girona
Title
Alternative Title
Description
This map is a mappamundi that illustrates Beatus of Liebana’s Girona Codex, one of the most highly decorated manuscripts of his Commentary on the Apocalypse written in the eighth century. This codex was likely made at the monastery of San Salvador de Tábara in 975 CE and was donated to the Cathedral of Girona in 1078. It contains many widely varied introductory paintings, eighty one illustrations of the apocalypse and ten illustrations of the prophecy of Daniel from the Old Testament.
This mappamundi is relatively characteristic of other Beatus mappamundi from the time. It displays Arabic influence in Spain through its use of opaque colors and other decorative elements reminiscent of the Arab world. The map is oriented with east at the top and has Adam and Eve enclosed in a square paradise at the top with the snake curling around the edge of the box. The world is encircled by a large ocean with depictions of fish drawn in a noticeably Islamic style. This Islamic influence points to a conflict in the tenth century on the Iberian peninsula between Muslim space and Christian space. Beatus sought to fight back against the spread of Islam by solidifying the Christian space within his maps.
This Beatus mappamundi has the general shape of a TO map which was fairly common at the time, where Asia, Europe, and Africa are divided by different waterways, with Asia at the top, Europe on the bottom left, and Africa on the bottom right. However, this map (and other Beatus maps) differs because of the inclusion of a fourth continent on the right edge of the map, on the other side of the Red Sea. In this section of the map, Beatus informs the viewer that this continent is unknown because of the sun's heat but is inhabited by a race called the Antipodeans. Following the evangelical subject of the work the map appears in, the inclusion of this continent highlights the apostles' mission to bring Christianity to every corner of the earth. The mission of the apostles suggested in this map played a key part in reestablishing a comprehensive Christian realm.
(Perry Hefferren-Harkless 2027)
Creator
Source
Format
Publisher
Date
Medium
Contributor
Relation
Language
Type
Spatial Coverage
References
David Woodward. "Medieval Mappaemundi" in Harley, J. B. (John Brian) and David Woodward (Eds.), The History of Cartography, pp. 286-368. Chicago: University of Chicago Press, 1987.
Emily Goetsch, “World Maps and Waterways: Place and Space in the Beatus Mappaemundi” in Meg Boulton, Jane Hawkes, Heidi Stoner (Eds.), Place and Space in the Medieval World, pp. 198-209. New York: Routledge, 2018.
Facsimile Finder - Medieval Manuscript Facsimiles. “Beatus of Liébana - Girona Codex.” Accessed October 18, 2024. https://www.facsimilefinder.com/facsimiles/beatus-liebana-girona-codex-facsimileJohn Williams. The Illustrated Beatus : A Corpus of the Illustrations of the Commentary on the Apocalypse. London: Harvey Miller Publishers, 1994.
Victoria Morse, “The Role of Maps in Later Medieval Society: Twelfth to Fourteenth Century” in Harley, J. B. (John Brian) and David Woodward (Eds.), The History of Cartography, vol. 3 part 2, Cartography in the European Renaissance pp. 25-52. Chicago: University of Chicago Press, 1987.